KAZUMI AITO-HUGHES

Main Vocalist & Guitarist

Kazumi Aito-Hughes Kazumi's Signature
Birthday: 1 March, 1953
Age: 24
Gender: Male
Sexuality: Bisexual
Race: Asian & White
Nationality: Japanese & British
Birthplace: Blackpool, UK
Accent: Scouse
Band Position: Main Vocalist, Guitarist
Voice Claim: Gary Mavers
Died: 14 August, 1980 (Age: 27)

About

Kazumi Aito-Hughes (born March 1, 1953) is a British singer-songwriter. He gained fame as the main vocalist and guitarist of Sticky Tape. He was born in Blackpool and later moved to Liverpool at six months old.

Appearance

Kazumi is a 5'10, 135 lbs, 24 year old male. His voice is a medium pitch, with a Scouse (Liverpudlian) accent. When speaking, Kazumi tends to excessively use the word, "like" throughout his sentences. He wears shoes which add around 2-3 inches to his height, making him 6'0~ when worn.His skin is pale and has freckles which cover his entire body; clustering more around his face and arms. His skin usually becomes darker / more tan during the summer because of the sunlight. His face is an diamond shape and is missing two adult teeth on the right side (not visible).
His eyes are olive green and they are slightly upturned and monolidded.His hair is a medium brown and is styled into a medium-length shag with bangs. Kazumi has three prominent scars, one on the back of his head which is covered by his hair and is not visible, a second one which is on the left side of his forehead which can be visible when his bangs are moved and the third being a large line across his left forearm. He has multiple needle scars / track marks across his arms.

Personality

Dismissive, (secretly) insecure, egotistical, charismatic, sleazy.Appears as confident, self-assured and sometimes very aggressive, but uses this to deflect from the fact he is extremely insecure about himself. He wants to appear as manly as possible, which results in him being cruel to other people as it makes him feel more in control / masculine.He has rare moments where he can be kind, but he quickly shuts this down because he's afraid of appearing weak or vulnerable. He is typically nicer to Mat than other people, but he will lash out at him at times. He sometimes feels uncomfortable / disgusted that he is attracted to men, which adds to his insecurities.He likes being in control of everything he does and the people around him; this is HIS band and everyone needs to know that.

INTERVIEWS

[21/09/1975]
INTERVIEWER:
And how do you feel about your bandmates?
KAZUMI:
Don’t like them that much, really.
[LAUGHS]
INTERVIEWER:
You don’t?
KAZUMI:
They’re alright most the time. Well, one of them's a proper gobshite.
INTERVIEWER:
And who wou –
[CUT OFF]
KAZUMI:
You already know who – Suki – the cow. Always starting shit with me. It’s because she’s jealous of me.
[INTERRUPTING]
INTERVIEWER:
What’s she jealous of?
KAZUMI:
Everything. That I’m better than her, that we had to sack her off at the beginning because she’s shite at singing.
[CHUCKLES TO SELF]
No, she’s alright; I am better than her though, most people wouldn’t really like it if a woman was the centre of it all anyway, would they?
INTERVIEWER:
Don’t you think it’s sexist to say that?
KAZUMI:
I’m not saying that. Like, I haven’t got a problem with women, they can do whatever they like – like wear your husband’s trousers if you want, love. Get a job… fixing cars, I’m not arsed.
[LAUGHS]
Just the general public – they’d rather a man, you know that.
INTERVIEWER:
There are plenty of women who are very popular though – Suki herself is very popular – a lot of people really love her style.
KAZUMI:
Yeah, I don’t really care, like. Don't like her, can’t do nowt about that.
[MOCKINGLY]
And, “her style,” what style? She looks like every other average tart. Is she paying you or something like?
INTERVIEWER:
No. I’ll move on then. There’s been a lot of promotion for the release of your new album, how do you think the general public is going to receive it?
KAZUMI:
They’ll love it, they better love it. The amount of people I’ve had on my arse because of it – fuckin’ hell – I can’t do shite without it having to go through 50 other people. That’s what I miss before all of this fame and whatever, at least I could write without… fuckin’... “Mr Moneybags,” breathing down my neck. I can’t do fuck all. All they think about is money, there’s no art in it anymore. That’s why everything on the radios wank nowadays, musicians are meant to be artists – they’re just shovelling money into any old dope and people love it because they can’t think for themselves. I know how to make real music.